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	<title>Comments on: Music Specifically Engineered for Cruising</title>
	<atom:link href="http://www.32hours7minutes.com/production/cruisingmusic/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.32hours7minutes.com/production/cruisingmusic/</link>
	<description>The Official 32 Hours 7 Minutes Film Production Blog</description>
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		<title>By: Viss1</title>
		<link>http://www.32hours7minutes.com/production/cruisingmusic/#comment-49</link>
		<dc:creator>Viss1</dc:creator>
		<pubDate>Fri, 25 Jul 2008 12:07:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.32hours7minutes.com/?p=24#comment-49</guid>
		<description>Personally I find techno/electronica/D&amp;B extremely played out as soundtracks to driving scenes. I and most other true car enthusiasts would rather listen to the actual engine sounds where available. 

If the in-car audio is lacking, why not try some instrumentals with a rock or even new wave vibe? Those genres would be a lot less generic, and would fit better with the period.</description>
		<content:encoded><![CDATA[<p>Personally I find techno/electronica/D&amp;B extremely played out as soundtracks to driving scenes. I and most other true car enthusiasts would rather listen to the actual engine sounds where available. </p>
<p>If the in-car audio is lacking, why not try some instrumentals with a rock or even new wave vibe? Those genres would be a lot less generic, and would fit better with the period.</p>
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		<title>By: Ethan Hunt</title>
		<link>http://www.32hours7minutes.com/production/cruisingmusic/#comment-31</link>
		<dc:creator>Ethan Hunt</dc:creator>
		<pubDate>Thu, 24 Jul 2008 19:13:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.32hours7minutes.com/?p=24#comment-31</guid>
		<description>While obviously heavily subjective, I find that the electronic-fused genres tend to cater best in the cruising situations. Ambient is a little mellow, for my tastes, but something much &#039;hardcore&#039; like intense DnB can be syncopating to the driver. Sitting contently in the middle, however, I find downtempo--maybe others can concur. Big names like DJ Shadow, Thievery Corporation and Tosca come to mind, but it would be interesting to hear what others find accommodating.</description>
		<content:encoded><![CDATA[<p>While obviously heavily subjective, I find that the electronic-fused genres tend to cater best in the cruising situations. Ambient is a little mellow, for my tastes, but something much &#8216;hardcore&#8217; like intense DnB can be syncopating to the driver. Sitting contently in the middle, however, I find downtempo&#8211;maybe others can concur. Big names like DJ Shadow, Thievery Corporation and Tosca come to mind, but it would be interesting to hear what others find accommodating.</p>
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		<title>By: Turboman</title>
		<link>http://www.32hours7minutes.com/production/cruisingmusic/#comment-29</link>
		<dc:creator>Turboman</dc:creator>
		<pubDate>Thu, 24 Jul 2008 18:55:49 +0000</pubDate>
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		<description>As we all read in the driver, there is no music playing when Alex Roy hits the street.</description>
		<content:encoded><![CDATA[<p>As we all read in the driver, there is no music playing when Alex Roy hits the street.</p>
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		<title>By: avalancher</title>
		<link>http://www.32hours7minutes.com/production/cruisingmusic/#comment-26</link>
		<dc:creator>avalancher</dc:creator>
		<pubDate>Tue, 22 Jul 2008 20:52:53 +0000</pubDate>
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		<description>Paradoxically I doubt that Diem/Turner nor Roy/Maher
ever listened to any music while on their way... let&#039;s also
not forget that unlike almost 100% of their copycats
the two first road-movies, Two Lane Blacktop and
Vanishing Point had no other soundtrack that what was 
incidentally played in a gas station or a lousy tape-deck.

TMHO &quot;Gumball 3000: The Movie&quot; has one of the best 
OST of road movies, and (paradoxically too) it&#039;s mostly 
&quot;chilly&quot; (it can be heard on many Top Gear reviews).</description>
		<content:encoded><![CDATA[<p>Paradoxically I doubt that Diem/Turner nor Roy/Maher<br />
ever listened to any music while on their way&#8230; let&#8217;s also<br />
not forget that unlike almost 100% of their copycats<br />
the two first road-movies, Two Lane Blacktop and<br />
Vanishing Point had no other soundtrack that what was<br />
incidentally played in a gas station or a lousy tape-deck.</p>
<p>TMHO &#8220;Gumball 3000: The Movie&#8221; has one of the best<br />
OST of road movies, and (paradoxically too) it&#8217;s mostly<br />
&#8220;chilly&#8221; (it can be heard on many Top Gear reviews).</p>
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		<title>By: Sloan P</title>
		<link>http://www.32hours7minutes.com/production/cruisingmusic/#comment-25</link>
		<dc:creator>Sloan P</dc:creator>
		<pubDate>Tue, 22 Jul 2008 18:44:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.32hours7minutes.com/?p=24#comment-25</guid>
		<description>Matching this music up with some of the higb-speed highway footage would be amazing. Roy/Maher flying across the states jamming to the tunes... ha! 

Will the movie use any popular/main-stream tracks?</description>
		<content:encoded><![CDATA[<p>Matching this music up with some of the higb-speed highway footage would be amazing. Roy/Maher flying across the states jamming to the tunes&#8230; ha! </p>
<p>Will the movie use any popular/main-stream tracks?</p>
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